October 29, 2007 - Milan, Italy

Suzanne Vega and her band played at the Milan Auditorium last 29 October for what was one of the last few shows of the European leg of the tour, performing a mix of songs from her 2007 album Beauty & Crime and older songs from Suzanne's 22 year-long career, interspersed with her tales and jokes about the inspiration for some of her lyrics. The show was opened by Valerio Piccolo, who was promoted for the night from the role of Italian translator of Suzanne's books and on-stage readings to that of support act. With Suzanne watching his performance from behind the scenes, Piccolo sang a set of his own songs that could be described as a pleasant compromise between Suzanne's own reinterpretation of folk - and her trademark poignant lyrics - and the sound of the Italian duo Tiromancino. Accompanied by part of Suzanne's own band - Mike Visceglia on bass and Doug Yowell on drums - and playing acoustic guitar on most of the songs, he definitely proved his talent as a songwriter. His voice, however, seemed a little too weak and high-pitched to do justice to the excellent acoustics of the wooden-panelled shell of the Auditorium. That was the job left for Suzanne, who opened her show with a flawless a cappella version of Tom's Diner. Then her 4-piece band (drums, bass, guitar and keyboards) stepped in and they moved on with the rest of the show. All songs from Beauty & Crime were performed by Suzanne with the whole band, most being faithful renditions of the album version, which arguably diminished their live appeal. Notable exceptions were Pornographer's Dream - whose subtle arrangement, though very similar to the album version, revealed Suzanne's graceful vocal talent, New York Is a Woman - possibly Beauty & Crime's best song, where the brass intro was replaced by a guitar/piano arrangement and Angel's Doorway - which had a slightly Celtic feeling which the album version does not convey. While the musicality of some of the earlier songs was almost drowned out by the 4-piece band- ie Luka and Marlene On The Wall - the real highlights of the show were the songs that were only accompanied by Suzanne on acoustic guitar - Gypsy and Rosemary - or by Mike Visceglia on bass - I'll Never Be Your Maggie May, Left Of Center and Blood Makes Noise. The stripped-down live rendition of this latter song, with Mike's vigorous bass line and Suzanne's own panting and fast-paced vocal delivery echoing the breathing and blood pumping through the veins, never fails to impress and reveal the song's true beauty. On In Liverpool, the marked alternation of soft acoustic guitar on the verse and loud 4-piece band on the chorus clearly brought new life into the song, as reviewers of earlier shows have already observed. And, whoever thinks that Suzanne Vega's music is too mellow and intimate should have listened to the clubhouse version of Tom's Diner- yes, the same Tom's Diner that had opened the live set - which also closed it with a blast. Overall a beautiful show in an equally beautiful venue, but occasionally slightly overproduced, as, critics have argued, were some of the songs on the otherwise impressive album Beauty & Crime. Full setlist: 1. Tom's Diner 2. Marlene On The Wall 3. Ludlow St 4. New York Is A Woman 5. Caramel 6. Frank And Ava 7. Gypsy 8. I'll Never Be Your Maggie May 9. Left Of Center 10. Blood Makes Noise 11. Angel's Doorway 12. Pornographer's Dream 13. Unbound 14. In Liverpool [Band Intro] 15. Luka 16. Tom's Diner 1st ENCORE 17. Bound 18. Rosemary 2nd ENCORE 19. The Queen And The Soldier

-Gilly G.

October 27, 2007 - Warsaw, Poland

First thing I wanna say It's a fact that Suzanne was undoubtedly in a good form her voice sounds beauty and incredible as always, she seems to don't grown old, Suzanne looks very young, beautiful and have mystery and also sexy attire and hat. That concert features elements of theater art like coffee on the table and suzanne drinking it in the time they perform " Tom's Dinner" and a hat which she also wear when they played some songs from "Beauty and Crime". The stage effects was impressive their were tastefully choosen, good colour which fit the song which was played and the fog from the floor which put on all of this more mystery and appeal, that was spectacular. As I said about Suzanne she was great but I want to tell a few good things about Mike; you are big part of it without you that wasn't the same, for me you are one of the best bass players in history, one thing to Ben Butler I think you are the best electric guitar player Suzanne ever had, bravo, about Doug Yowe you have a perfectly feeling when song is fast and it is necessary to be vigorous you are vigorous and when song are slower you are delicate you are not another drum machine you are Man with passion, unbound was your masterpiece, for Layla you match this band very good you have a talent, you are excellent pianist and also excellent voice you all are good team but I think you know it. I must notice that audience was very conservative, kind of course but part of them act like they was in place like business conference. People!!! That was a concert we can have fun and show it, we could sing with Suzanne loudly on song like Tom's Diner, we can shriek gently we could show more enthusiasm but that was "Sala Kongresowa" and people think they must act "seriously" but trust me people were enjoyed after show, you all make a huge piece of good performance. Beautiful Suzanne lyrics were perfectly connected with music and stage that day. Few minus about sound when was " In Liverpool" one speaker broke down and through about one minute audience hear strange noise from that one but I understand that wasn't your fault speaker it's only an item it could broke down but whether if I may sound from electric guitar was too quietly, in a one or two moment that was something on a connect in sound of bass guitar, through few second it sound a bit strange also microphone could be regulated a bit better (maybe I am wrong?), but don't care about it I'm sure that most of people didn't spot that, Overall you all were Brilliant!!! Greetings to Suzanne, Mike, Doug, Ben, Layla and Phill acctualy we met after the show and I'm very glad about it, that was nice to meet you all, it was kind from you that you agreed to met us thank you again for beautiful Evening.

-Dawid W.

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Suzanne was so brilliant, that it is hard to explain. However, I think that Her fans know what I mean. Her clear voice, her perfect diction and the way she is singing make the audience feel special. I was there together with my Husband, because our relationship was born together with LUKA, and since that time we join Suzanne Vega's concerts. Thank You, Suzanne.

-Zuzanna

October 25, 2007 - London, UK

Thank you for a fantastic evening-this was one of the best concerts I've ever been to. A great mix of new songs and old, with lots of chat. I'm amazed at how Suzanne tells her audience stories she has probably told a thousand times but makes you feel as if you're the first (and only!) person she's ever told them to. I missed the first round of concerts as I was away on my honeymoon-I probably would've moved my wedding date if I'd known in enough time that Suzanne was coming! So very glad she came back:)

-Shereen

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At last I got to see Suzanne Vega live and what a wonderful and intimate venue the Cadogan Hall is. She is one cool lady, totally at ease on stage chatting away giving us some background to her songs and exchanging banter with the audience. The set opens with her performing Tom's Diner solo and ends with an awesome version of the same song as a dance mix with the whole band really fired up. In between were a mixture of old favourites and songs from the excellent new album Beauty and Crime (which sounds superb on a good stereo too). The great thing for me about Suzanne's songs is the variety in tempo and texture of the arrangements, from just her voice and acoustic guitar, through duos with the great bass playing of Mike Visceglia to the full backing of her excellent band. Her music continues to evolve and that keeps it interesting. She returned for two encores and left a very satisfied audience. Thank you Suzanne and band for a great evening.

-Alan G.

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...Ms Vega and her band put on a stunning performance - one of those rare events where the theatre disappears and two hours pass in a flash. A theatrical 'Tom's Diner' started the show, followed by an eclectic mix of old and new material. Obvious highlights were 'Luka', 'Gypsy' and 'The Queen & the Soldiers', only the absence of 'Calypso' leaving a trace of disappointment. Appearing comfortable and relax with what to me seemed a very stiff audience, inter-song chat was entertaining as well as revealing. The band was clearly having a good time, particularly the bass player, singer and band performing 20-year old songs with the enthusiasm of a teen garage band and the competence of an aging jazz quartet. I dragged my wife screaming to the show, she never having got over 'the song about the chicken parts', but she went home a convert. A beautiful evening, Ms Vega had the answers!

-Peter W.

October 22, 2007 - Amsterdam, The Netherlands

Paradiso, a former church turned into a small concert-hall, has always been a great place to view the more intimate shows. But it takes someone like Suzanne to make it really work. From start (the original Tom's Diner performed solo) to finish (Tom's Diner with full band) you could feel the connection between her and the audience. Between songs Suzanne talked often about the lyrics and background of the song, and her sharing her thoughts with us really added something to the experience. This also created small breaks, in which you could enjoy the 'afterglow' of yet another great song. This is something which I personally really appreciated. Whether it was an old or a new song, with full-band or solo (or with just the bass), the performance was excellent. Compliments also to the sound-technicians: you could hear each instrument and every word, which seems to be a rare feat these days. For me the best was saved for last: as an encore Suzanne sang The Queen and the Soldier and left me with tears in my eyes. Thank you Suzanne!

-Freek V.

October 21, 2007 - Brussel, Belgium

Dear Suzanne, Thank you so much for the show in Brussels yesterday night! You were a little bit late, true, but not as late as the Rolling Stones (that damn bus! I would have come to you at the highway coffeeshop and we would have made a special concert - Live at the Exxon gas station somewhere between Marseille and Brussels). Anyway, it was really worth waiting for you (I hope you felt the place and the audience were warmer than in Marseille!). I and my wife liked the show very much and your usual constant kindness and humour. From where we were sitting, it seems that soundcheck was far from necessary since the sound was perfect. I like to see you when you don't know what to do with your hand (good trick the hat!). That's the most beautiful part of your genius: to keep spontaneous, even after more than 20 years of career. We were glad to enjoy "Unbound", although my only regret would be that I missed "Bound" as an encore. Whatever: there were so many wonderful songs which, once again, got me back 21 years ago, when I started listening to your music. A special mention to "Angel's Doorway" which I don't get tired to listen to. My wife is in love with NYC (and, as she says, most of the time with me too). Your musical and lyrical world made us travel through the Atlantic. By the way, I'd love to hear you sing "A Heart in New York" from Simon & Garfunkel. OK. Seems I'm writing like a 13 years old fan. I'll stop now and will wait (patiently?) for the next time you visit Brussels or Belgium. Au revoir et merci!

-Jean M.

October 17, 2007 - Lausanne, Switzerland

So yesterday I saw Suzanne in Lausanne. What a pleasure to see her again. First surprise for me,she look younger! Short hair make like she was at the begining of her career. A little venue, a little audience to be close to her. She seems to be an old friend talking with next of kin. She took time between every songs to talk with us. At the begining of "Pornographer's dream", she sing "HE's a pornographer's dream....". So she stops, laugh, apologize and ask to begin again!!! Very funny. I really appreciate when she sing with the bass guitar alone! Perfect voice talking to my heart. Later, when she leave, she came to sign pictures, little talk for some fans. Smiling and very kind. I ll post pictures sooner. Got to say the Crew was very nice after the concert. I miss my friend Aline there...but it is another story..... Thank you to look for the spelling, excuse my english!!!!!

-David E.

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For ages, I wanted to attend a Suzanne show... I started listening to her in 1987, during my army period in France. I was 18, and her passionate music and words felt onto my shoulders like a gift of God, more or less... As a guitar player, I wanted to experiment some new ways after my "Police" period, and what I heard in her songs came at the right time. So I am proud now to be able to play most of Suzanne's work... And then I finally saw her yesterday evening. Front row, she was two meters from me, and I think I caught her eyes... don't ask me why or how, but she's been really looking at me ! This moment apart, she gave us a wonderful show. I really thought more people would come, Les Docks is a small place where I do beleive that less than 1000 people can enter, and the show was very intimate. Surprised by the warm audience, Suzanne even said she thought swiss people were reserved, strict, and not really showing off their feelings... she received three or four encores !!! She could have stayed on stage the whole night, we wouldn't have bothered !!! Well, at the end, I thought I would clearly become friend with her. Not chasing for stupid autographs, nor telling her "oh Suzanne I love what you do I love you yeeeeeeeeeeeeh " like a Tokio Hotel basic fan, no, just, how can we be friends ? How can we share some moments ? How about coming home and share a dinner with my wife ? Well that's my message in a bottle for her ! And I would be so happy to play guitar with her for a while, knowing she does have a friend in Switzerland, now ! Too sad that she seems to be unreachable, like most of the artists I like... So if you know a way !

-Nico M.

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The gig at the docks was exactly what I could dream of. The show was wonderful (thanks especially for Unbound which was great live). In Liverpool sounded really cool (before the gig this song wasn't my favorite but the live rendition of the song really amazed me!). I tried to request for anniversary but you didn't hear me. Whatever, I want to thank you for the most intimate show I've seen for years ! What a wonderful evening ! THANKS !!!

-Nathanaël L.

October 4, 2007 - Madison, Wisconsin

Suzanne Vega and her band delivered a great performance at the Barrymore Theatre in Madison, WI on 10/4/07. On several occasions over the last few years, I had considered seeing her at this venue. I finally decided to attend this show and was rewarded with a great night of music at a bargain price of $25. The opening act this evening was Richard Julian. He played a solo acoustic guitar set with vocals that lasted approximately 45 minutes. I'm not much of an "arrive early for the opener" person, but his set was very well done and well worth listening to. I would describe him as Jackson Browne meets James McMurtry. A talented guitar player and gifted songwriter with clever songs and humor that connected with the audience. After a short intermission, the lights came up and Suzanne Vega strolled across the stage wearing a dark fedora hat, denim jeans and black high heels. She reached center stage and went straight into a very well done "A cappella" version of Tom's Diner. Her band mates wandered back and forth while she continued and finally arrived at their positions near the end of the song. "Marlene On The Wall came next, followed by a selection of songs from her past and 6 very good songs from her latest release. I would estimate that her set lasted approximately 90 - 100 minutes. My favorites were "Caramel", "Blood Makes Noise", Left Of Center" and "Zephyr And I"(a newer song). Suzanne's personality, impressive voice and charming smile made it a great evening. The sound mix was also first rate. Tom's Diner (A Cappella) Marlene On The Wall Luka Caramel Blood Makes Noise (performed with vocal and bass guitar only) Left Of Center New York Is A Woman Zephyr & I Ludlow Street Pornographer's Dream Frank & Ava Angel's Doorway (I'll Never Be)Your Maggie May In Liverpool Gypsy The Queen ANd The Soldier Tom's Diner (funky version with full band) This is the best I can do with the setlist. The songs are not in the correct order as performed. I was hoping to hear "Book of Dreams","99.9", Rosemary" or perhaps "World Before Columbus", Guess I'll have to catch her the next time she visits.

-Kevin

September 30, 2007 - Chicago, Illinois

What a show! I have been a fan for 15 years, and this concert was everything I could ever have asked for. I had heard the venue was "intimate" - I was amazed to find myself sitting just six feet from Suzanne. She talked a lot and made eye contact with the crowd, which was so much fun. She told a story that made "Gypsy" all the more touching and beautiful. The sound was great. Allison Cornell was incredible, sinign backup vocals, playing keyboards, guitar and viola. We cheered so loud for her, Suzanne made a joke that "Allison's family is here with us tonight". A wonderful night, a wonderful show! I'm so glad she''s touring. She said she hadn't had much sleep - I'm so glad she keeps getting up there and making those beautiful sounds.

- Nathan A.

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The Chicago show was a hell of a lot of fun for me. I was (quite literally) left of center from the point of view of the band, in the front row. I dragged my buddy Thom with me - a hip-hop fanatic who only knew (but liked) the song with his misspelled name that opened and closed the show. (At the end, he was surprised by how much he liked the music and the show. The witty stories and explanations between songs goes over especially well with those unfamiliar with the music, giving them a context and drawing them in. I don't like that Bob Dylan/Paul Simon performance style where it's not "cool" to talk very much, that is no fun at all.) I may have to move from the front to the back row, however. It would be acceptable to stand and dance in the back. This crowd was very anti-dancing. Are all shows like that? Maybe the chairs should be removed. Speaking of the full-band version of T(h)om's Diner at the end - wow. That definitely called for dancing. The true soul of that song has been discovered. It is not an a cappella song and it is not a hip hop song - that is a motherf**king FUNK song. Hell yea! Mike Viscaglia ripped that sh*t up!! The entire band was tight, actually. The arrangement of "In Liverpool" was great as well. The ping-ping-ping that cadences along with my put-on-your-seatbelt buzzer in my car in the studio version on the verses was gone. Instead, a quiet guitar part accompanied the verses and then the band got loud on the chorus. I think the soul of that number has been discovered as well; quiet - LOUD - quiet - LOUD. I like it. Really enjoyed the new material, those songs were made to be played live. Zephyr and I especially went over well with a nice drum break in the middle. The set list flowed well from one song to the next, like a good mix tape, with a great-sounding mid section with just Suzanne and Mike. My only small gripe is that I'd like at least one song from "Days of Open Hand." She and Mike could do Room Off the Street and make Blood Makes Noise a full-band number. Suzanne, for all her kind humility in acknowledging fans, does not suffer fools gladly. Before the first encore for Anniversary she hilariously dressed down someone who shouted "We got an anniversary here" after a note to that effect had already been passed up and she was probably about to acknowledge that fact. (The shouter was not, however, a half of the anniversary couple, who only passed the note.) From time to time, you see glimpse and say "yup, that girl grew up in Harlem." My buddy, who is from a rough spot of Boston, saw that clearly. What else to say? She looked stunning in a sexy black dress with some kick-ass heels. THAT is a little bonus that doesn't go along with seeing, say, Bob Dylan. Looking forward to Friday's show.

- Jeffrey H.

September 29, 2007 - Ann Arbor, Michigan

The Ark is an intimate venue - a wonderful place to see Suzanne. I grew up listening to her music, so in a way(non-weirdo) I feel really close to her. Seeing Suzanne perform some of her classics made me love them even more. New songs were rockin!! Suzanne chatted us up - and told some great stories. Ann Arbor was a little slow on the uptake at times(snapping along, etc). Yet, we were loving every minute of it. Thanks for coming!!

- Sasha A.

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If I made a list of musical artists with whom I would like to have dinner and a good conversation, Suzanne Vega would be at the top of my list. She radiates such keen intelligence that I think the conversations would be fabulous, and she also possesses such a warm and open manner that I think I could overcome the intimidation I might feel around other "celebrities." I am sure that I am not the only one who would like to have an extended talk with Suzanne Vega, asking questions about the origins of her songs, the choices she makes, the scope of her career, and her plans for the future. On stage, she has a tendency to explain the origins of her songs in a way that invites dialogue and did at the intimate venue that is Ann Arbor's Ark. With a "stage" that is more of a platform in a room with seating on three-sides, everyone was within conversation-distance with Vega, and she encouraged this exchange. For the song "NY is a Woman," she announced that if NY is a woman, then what is Ann Arbor? Apparently, the answers in Pittsburgh were... colorful. Answers in Ann Arbor included "liberated, Goddess, Hippy, and pretentious," the latter which became a running joke throughout the evening. After Mike the bassist called Vega "pretentious," she jokingly told him she wanted to speak him to after the show. Vega opened the show with an acappella version of signature song "Tom's Diner," as the band drifted on stage. The drummer even brought a newspaper, pointing to an article inside when Vega sang the lyrics about the actor who died while he was drinking, "it was no one I had heard of." From there, Vega launched into "Marlene on the Wall," with the full band accompaniment, to the delight of her longtime fans and others who have recently discovered that much-loved first album. The show continued with Vega alternating between solo acoustic versions of some songs or with just the accompaniment of the bass or bass and drums. Some songs she sang without playing her guitar, but others, like "Gypsy," were rendered beautifully by her precise picking talent. Vega's explanations of song origins and interactions with the audience made the concert one of the most enjoyable evenings I have spent at a show in years (and I see A LOT of concerts). The intimate setting was much more suited to her demeanor than the grander Michigan Theatre where she played in 2001. Vega did not have time to play all the songs the audience wished to hear: "The Queen and the Soldier," "Calypso," "Those Whole Girls (Run in Grace)," and "When Heroes Go Down" were all called out numerous times. In fact, she played nothing from Days of Open Hand, which seemed curious. Posted set lists of the tour so far also showed she was skipping Songs in Red and Gray, but to the delight of many, she played "(I'll Never Be) Your Maggie May" after telling a story, though somewhat veiled in privacy, of how Rod Stewart's original inspired her. The show was dominated, as it should be, by the songs of the new album, which are fantastic. Many in attendance seemed to know the new album already and were excited to hear songs such as "Frank and Ava," "Pornographer's Dream," and "Zephyr & I." Vega carefully avoided becoming too pedantic or morose about the events of Sept. 11, 2001 in New York. Prior to the beautiful new song "Angel's Doorway," she mentioned the work at Ground Zero in almost an off-hand way, which was probably much more effective than anything else she could have done. The show closed with a dance version of "Tom's Diner" with a groove and a beat that the band obviously really enjoys. Vega inserted "Bound" from the new album into the double encore (off and back on twice), something she had not done other places, at least according to posted set lists. With "Anniversary" and "Small Blue Thing," the concert ends a little melancholy but still exquisitely. Vega's music is like fine sweet wine, nectar, but the kind of liquid poetry that infuses the body, mind, and spirit, lingering, evolving, illuminating. Suzanne Vega is an artist whose music has been a frequent and faithful companion of mine for twenty-two years, seeing me through heartaches and triumphs. Her music has enriched my life in too many ways to enumerate here. I would be thrilled to have the chance to talk to her about her work and its impact, but I also respect her privacy. I would certainly drop everything to see her in concert again. I encourage everyone to do the same. It's an unforgettable experience. SET LIST (The exact position of some of these songs may be off): Tom's Diner (acappella), Marlene on the Wall, Ludlow Street, New York is a Woman, Caramel, Frank & Ava, Gypsy, Some Journey, Left of Center, Blood Makes Noise, Angel's Doorway, Zephyr and I, Pornographer's Dream, (I'll Never Be) Your Maggie May, Luka, In Liverpool, Tom's Diner (dance version). Encore#1: Bound, Anniversary. Encore#2: Small Blue Thing

- Christopher T.

September 28, 2007 - Pittsburgh, Pennsylvania

Suzanne Vega's one of many talented, important musicians I've been waiting to see for several years, and I was wildly impressed by her show at Pittsburgh's gritty--and mysteriously squeaky!--Rex Theater on Friday night, where my friend Jennifer Schaupp and I appeared to be among the youngest in the audience. It goes without saying, of course, that Suzanne's songs are accessible, literate, beautifully crafted. What particularly impressed me during her performance was the elegant and masterful articulation of sound, lending the music an almost effortlessly flowing quality. Maybe it was just my gin on the rocks, but Suzanne's show was deeply hypnotic--soothing in a groovy, direct, unapologetically rhythmic way. I'd like to thank Suzanne and her band for playing 'Luka,' the song that forged my fanship when I was only seven years old. As I said to Suzanne on Friday night, the song was extremely meaningful to me as a child (melodically and lyrically, I should clarify) despite the fact that I didn't understand its meaning at the time. I'd like to thank her, also, for contributing to Pittsburgh's best radio station--member-supported, commercial-free 91.3 WYEP--by playing for us on Friday afternoon. WYEP loves you (as their frequent showcasing of your music will attest), and so does Pittsburgh! Please come back as soon as you can. It's shows like this that keep the spirit of vital popular music alive in Pittsburgh.

-Michael J.

September 25, 2007 - Montreal, Quebec

I went to see Suzanne Vega live in concert in Montreal at La Tulipe the September 25. The sound was good, the songs pretty well done and the crowd was nice and various, people in their twenties, thirties, forties and more. She has a very good communication with her fans and she is very generous. She did about 4 or 5 songs more after the end of the show because we couldn t get enough of her, we were always asking her to come back. She also did a very amazing version of Tom's Diner, I wish she will record that, it was awesome. Suzanne Vegas is fantastic, genious and very talented. Everyone should see her at least once.

- Martin

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I grew up listen Suzanne. Every song is curiously related with episodes of my life. Saw her alive for the first time in Lisbon, Portugal in the early 90´s. Saw her yesterday here in Montréal. Super, one of the best concerts in my life. Hope to see you again and soon in Lisbon.

- Jo

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What can I say but it seemed like a dream. Having Suzanne perform just a few feet away from you hearing her exquisite voice, seeing her play her guitar...effortless. A complete and natural talent. Thank you for coming to Montreal.

- Michael F.

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Suzanne Vega's show was so perfect! The band is amazing, Suzanne's voice is incedible, choice of the songs went right to my heart! I loved the songs with Suzanne and the bass player, also thank you for BOUND! I just couldn't imagine a better evening!

- Susan

September 20, 2007 - Somerville, Massachusetts

I've been following Suzanne since I heard "Left of Center" on vinyl at 18. I've never had the pleasure to see her in person, but my long wait was rewarded this evening with a beautiful, uplifting performance by her and her bandmates at the intimate setting of the Somerville Theater. With her witty, self-deprecating sense of humor that she used to describe upcoming songs, Suzanne charmed the crowd throughout. Her always thoughtfully crafted songs, like "In Liverpool," would seemingly freeze time for a moment when all you could here in the quiet theater was her soft voice and plucking of guitar strings. Along with singing her many classic songs like "Caramel" and "The Queen and the Soldier," Suzanne introduced material from her new CD, Beauty and Crime. I was a little fearful, I must admit, that her new songs may not live up to her past work. I was very wrong! Unlike many artists who lose that passion to create, Suzanne has obviously not and her songs continue to evolve. Songs such as "Ludlow," and Angel's Doorway" were hauntingly beautiful. "Frank & Ava" was probably the catchiest of the bunch. All were greeted with sincere applause. She had several encores, and standing ovations. Great show. P.S. After the show she came out and greeted her fans and signed autographs. She was very sweet and endearingly shy. A nice person.

- Scott B.

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Real nice and small theatre in the middle of davis square outside of boston was a perfect place to see Miss Vega. Lots of new tunes mixed with the old was a great mix. Great sounded place as well. Dont miss this tour if you can, peace.

- Scott

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IT WAS AMAZING. She sounds exactly like she does on the albums and so does the band. She had three encores and I got to meet her and talk to her after the show. Suzanne is very down to earth and I really like the stories she told about her songs and how they came to be. I don't think some of the songs she sang were on any of her albums, so that was pretty cool. It was really good and an amazing performance.

- Dulcinea W.

September 16, 2007 - Great Barrington, Massaschusetts, USA

It was a pleasure to see Suzanne play in the intimate Mahaiwe. I enjoyed her new songs especially Frank and Ava and many of her wonderful older songs. But for me the night wrapped around Gypsey, my favorite. Its tenderness reaches through the years and reminds, I think, not only to relinquish willingly lost loves but to cherish them still.

- Jim

September 15, 2007 - Poughkeepsie, New York

If only it were longer :( I for one loved hearing the background regarding your new songs, even if the crowd didn't seem as enthusiastic. The new tunes sounded excellent and, as always, you up there alone was heaven. Thanks for mixing things up a bit. Tell Mike his pants were WAY tight - it was distracting there for a while!

- Dean

August 10, 2007 - Stockholm, Sweden

I'm almost ashamed to admit, I've never attended before, I could not sit, and wanted to dance even more, alas, it had to end, so soon, from the very start, every moment was a boon, your songs sound a chime in my heart, it's ringing still, and I think it always will.

 - Bengt H.

August 11, 2007 - Helsinki, Findland

This is the first time I have seen Suzanne Vega live though I've been a fan for the last twenty years. I thought she played and sang beautifully, especially "Cracking," "In Liverpool," and the new songs. It was a thrill and honor to see her in concert. She is still lyrically, one of the best poets ever. The lighting could have been better in The House of Culture, but Vega seems to have come of age in the new album. And perhaps the only other drawback, there were no songs from "Songs in Red and Gray." It was a breathtaking show nonetheless.

- Suzanne W.

August 7, 2007 - Copenhagen, Denmark

Hi, thank you very much for your wonderful show last night - it was fabulous! Great new songs, and fabulous oldies. Your bass-guitar player is simply terrific - I've never seen anything like this before! All of the band seemed happy and easy-going. And Suzanne is just a great, great performer! Thanks!

- Slava C.

March 1999 - New York City, NY

Very enjoyable reading of poetry at a Barnes and Noble (very intimate venue!) followed by a an a cappella rendition of Tom's Diner. I was a poor student then and couldn't afford the book, so I missed out on the signing and, more importantly, the rest of the poems. I still need to pay my way for the evening and buy the poetry book... (My first "real" concert will be Iowa City, looking forward to it.)

- Jeff

August 8, 2007 - Oslo, Norway

Thank you, thank you, thank you ! A brilliant evening with good songs, thoughtful lyrics, beautiful voice and a tight band. Good to be able to enjoy this high level of professionalism in todays mediocre music world. Thank you, Suzanne - and a very welcome back !

- Erik

August 1, 2007 - Colonge, Germany

I was at the show in Cologne tonight and - as last time I saw her in 2001(?) - Suzanne and the band did a flawless performance. She had a great voice. Again I was surprised, how much stronger it sounds live, than it does on the records. However the setlist disappointed me a bit. Suzanne basically only played new stuff (which was all great!!) and her standards. As beautiful as those old classics are, it's a bit sad, that she leaves out the nineties and the wonderful hidden treasures (like song of sand, world before columbus, rosemary,...) almost completely. And I missed "Songs in red and grey", from which she played no song at all. Anyways, of course in all it was a wonderful night again. And, Suzanne, if you read this, your poetry is as steady, strong and exciting as the ocean's tide. Thank you for keeping music a beautiful art.

- Tim L.

April 6, 2006 - Glasgow, Scotland

It was the only time I've been fortunate enough to see Suzanne play and it was totaly mind blowing. It was the smallest gig I have been to but by far the best Tom's Diner and Luka were the highlight for me. I was so sad when it was over, I could have sat there all night. Just wish she would come over to scotland more often.

- Laura M.

August 5, 2007 - Lokeren, Belgium

Let's start with the beginning... No! Let's change it for once and start with the end. It was 22.45h, I was on the way back to my car after Suzanne's performance. My night was full of stars! I was thinking: "Poor A&M guys! You just don't fire Suzanne Vega. By doing so, you're firing yourself from the restricted club of the good records companies. And that's what they've done." Introduced at 21.30h sharp as a "Grote Madame" on the folk rock scene, Suzanne proved one more time she's a wonderful artist and a wonderful person. In front of a a family audience, in open air, faraway from the beautiful wooden en velvet seats of London or Antwerp, with honest fans saluting her numbers with a glass of beer in the hand, Suzanne succeeded in delivering a moving, enthousiastic, thrilling show. Now it's time to get back at the beginning. 21.20h: Mike Visceglia is personally taking care of the soundcheck. A large paper sheet is advertised in the photographers' box with "Suzanne Vega: No Flashes during the 3 first songs". Right on time, Suzanne enters the stage. She's smart. She's elegant. She's beautiful. The show opens with "Marlene on the Wall". As Suzanne explains afterwards: "So you will not spend the whole concert wondering if "Marlene" is going to be performed". Then comes a bunch of new songs, inserting an always sensual "Caramel" (I'm sure the sales of candies must raise during that song). "Some Journey" brings me back to my early love for Suzanne's music... more than 20 years ago! Suzanne and Mike keep alone on stage for a great bass&vocals version of "Left of Center" and "Blood makes noise". Back to "Beauty & Crime", Suzanne offers "Angel's Doorway", "Zephyr and I" and "Pornographer's Dream". After 55 minutes of pure pleasure, the audience is shaken by a groovy dance version of "Tom's Diner" (full vocals and instruments). The concert ends up with two encores, including "Anniversary". We want more. Defintely. But other artists are waiting for their turn. Short but intensive. I leave the spot with happiness in mind. Someone's playing some soul music in a car. Soul! That's it: Suzanne has a beautiful soul, and it shows... set list (1h10'): Marlene on the Wall Ludlow Street New York is a Woman Caramel Frank & Ava Gypsy Some Journey Left of Center Blood makes noise Angel's Doorway Zephyr and I Pornographer's Dream In Liverpool encores: Anniversary, Small Blue Thing

- Jean-Fran M.

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It was damn NICE HET WAS DUS ECHT ZALIG Hé!!!! See You Soon!! Tot snel

- Stijn Van H.

July 6, 2007 - Vienna, Austria

In my eyes, it was a strange decision to let Suzanne Vega play in the middle of the rest of the bands that played at this festival - Barclay James Harvest, The Sweet, Jethro Tull and the rest are just too...(forgive me, oh you admirers of the past) past. But the gig fitted in the whole - I came too late to see The Sweet, but I made it to Suzanne Vega's wonderful, emotional appearance. It began acoustically and went on really fine (a short try of "Tom's Diner" and then "Ludlow Street" as I was running towards the stage). Then came a few favorites like "Some Journey" or " NY Is A Woman". She made the audience roar with an acoustic version of "Blood Makes Noise" and then the same with "Left Of Center". My highlight, however, was the fabulous "Pornographer's Dream" that simply flowed into the audience... "Caramel" was also beautifully slow - well, even slower than the original :_); and the 'signal songs' "Tom's Diner" and "Luka" went down just fine. One return was granted and we were left to Barclay James Harvest and Jethro Tull - a worthy try, but no replacement for Suzanne Vega! Thanks for a beautiful concert!

- Viennese

July 2, 2007 - Liverpool, UK

Simply a night to remember! I fly from Italy to see this new show, and it was worth it. The atmosphere was very warm and Suzanne and and the band played very well. I was very curious to hear the new songs, and they were great. Suzanne was very kind even in meeting us after the show. Thanks for the wonderful night!

- Andrea

1993 - World Tour

Thx for the drum sticks - my first live concert and still the best one!

- Katharina

July 8, 2007 - Cornbury Festival, UK

A great set, which appealed to us old folks, and I suspect also turned many of the younger folks in the audience into fans. Frank and Ava had the whole place jumping, Gypsy had us swaying and for Tom's Diner & Luka we sang ourselves hoarse. An absolute delight.

- Nick S.
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The Cornbury Music Festival is a new one to me, though it has been running for around five years now, so I was told by a local in a pub afterwards. I only bought tickets to see Suzanne and I'm so glad that I did. It was my first time hearing and seeing her live, after being a fan for over twenty years I was pretty excited and had very high hopes. Suzanne exceeded every expectation I had. The live performance was superb, the highlight for me was Left of Center, performed with only the bass for company - amazing. Her personality was just as I expected, open, honest and giving. My only regret is that it took twenty years for me to see her...

- Paul K.

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I was having a great weekend at the festival Suzanne played at cornbury on Sunday early evening the weather was fine I know thats unusual for the UK! I was looking forward to her set, and she didn't dissapoint. Playing some oldies and some new songs from " Beauty and Crime " she had everyone singing the chorus of " Tom's Diner " at the begining and end of her set , she seemed to be in a real nice mood. I bought her new album at the festival and I love it I cant stop playing it.

- June

July 4, 2007 - London, UK

I requested The Queen and the Soldier.... Thank you so much it was beautiful!. My mom also cried when you sang Gypsie .. there was a lot of love that room :) x.x

- Amy S.
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A race from work, a telling off from my Head for missing a staff meeting, a headache from the tube .... and I'd do it all again for the chance to sit in row D and experience the sheer genius of Suzanne! As a longtime fan from the very first album she did not disappoint with this new material. Interspersed with old favourites this was a joyful performance and proved beyond doubt that Suzanne has matured in all respects. She seemed more relaxed than when I saw her in Northampton over 10years ago yet in this gig, she engaged more effectively with the audience who called for more long after the last chords were played on guitars. My only regret was that the London audience were too restrained to leap about the same as they had in Northampton! Suzanne you are my favourite artist & will remain so as long as you have a song in you! THANKS

- Annette H.

July 30, 2007 - Stuttgart, Germany

I travelled more than 1000 km too see this concert, which was fantastic, although I have very melancholic memories on this concert. How I wish Suzanne had a concert in Slovenija someday. I hope that the wish will come truth one day. The whole concert I was a afraid that she will not do Toms dinner in original version, so I was afraid that I would have to stand up and cheer I want Toms dinner. However she made it at the end, better than the original. I hope too see her concert once more but not thousands kilometers from home. Suzanne rules.

-Vinko S.